What Holds The World TogetherTo view the lyrics and liner notes, just click on a track title below:
1 Wild Northeaster
We found the words for this song in one of Rowan's favourite childhood anthologies, The Dragon Book of Verse. Originally a poem by Charles Kingsley called Ode To The North-East Wind, we've set it to a traditional Irish slip-jig aptly named The Blast of Wind. Welcome, wild North-easter. Shame it is to see Odes to every zephyr; Ne'er a verse to thee. Welcome, black North-easter! O'er the German foam; O'er the Danish moorlands, From thy frozen home. Tired we are of summer, Tired of gaudy glare, Showers soft and steaming, Hot and breathless air. Tired of listless dreaming, Through the lazy day: Jovial wind of winter Turns us out to play! Sweep the golden reed-beds; Crisp the lazy dyke; Hunger into madness Every plunging pike. Fill the lake with wild-fowl; Fill the marsh with snipe; While on dreary moorlands Lonely curlew pipe. Through the black fir-forest Thunder harsh and dry, Shattering down the snow-flakes Off the curdled sky. Hark! The brave North-easter! Breast-high lies the scent, On by holt and headland, Over heath and bent. Chime, ye dappled darlings, Through the sleet and snow. Who can over-ride you? Let the horses go! Chime, ye dappled darlings, Down the roaring blast; You shall see a fox die Ere an hour be past. Go! and rest to-morrow, Hunting in your dreams, While our skates are ringing O'er the frozen streams. Let the luscious South-wind Breathe in lovers' sighs, While the lazy gallants Bask in ladies' eyes. What does he but soften Heart alike and pen? 'Tis the hard gray weather Breeds hard English men. What's the soft South-wester? 'Tis the ladies' breeze, Bringing home their true-loves Out of all the seas: But the black North-easter, Through the snowstorm hurled, Drives our English hearts of oak Seaward round the world. Come, as came our fathers, Heralded by thee, Conquering from the eastward, Lords by land and sea. 2 Old Brock
We first heard Tim Brooks sing this lovely song of his at Watford Folk Club. We’re very grateful that he allowed us to arrange it in three parts and record it on this album. Read more about his inspiration here: www.oldtimetim.com/downinthedark.htm When the fox slinks silent from his lair, The robin sings a final air, And the moonlight wakes the sleeping hare, Its then we take our part.. Down in the dark where no-one can see us, Down in the dark through the sand and the loam, Down in the dark where no-one can hear us, Old Brock he's a digging, digging, digging. Old Brock he's a digging, digging his home. We spend the daytime in the deep Then walk abroad, while others sleep. We to ourselves our counsel keep, For that's our ancient way..... Down in the dark where no-one can see us, Down in the dark through the sand and the loam, Down in the dark where no-one can hear us, Old Brock he's a digging, digging, digging. Old Brock he's a digging, digging his home. One by one we venture out, For any danger cast about. Then turn again if there's any doubt, For time is on our side...... Down in the dark where no-one can see us, Down in the dark through the sand and the loam, Down in the dark where no-one can hear us, Old Brock he's a digging, digging, digging. Old Brock he's a digging, digging his home. There's no top table in our hall, We favour none but care for all. If you can't climb then you can't fall, And so we keep our law...... Down in the dark where no-one can see us, Down in the dark through the sand and the loam, Down in the dark where no-one can hear us, Old Brock he's a digging, digging, digging. Old Brock he's a digging, digging his home. 3 Charlie Fox
A hunting song from the point of view of the hunted, this is written by our good friend & musical hero, Dave Webber. It perfectly captures everything the fox has to lose in the chase that some consider a sport. We’ve paired it with a traditional jig we know as Johnny O’Leary’s. When the owl is on the wing the fox is on the paw, It's down into the farmyard to pay his friends a call, He'll grab the old drake by the back or maybe a fat old hen, Or even take a new-born lamb from its mother in the pen. Most times he hunts through hunger but sometimes its just for fun, But he is never hunting when the farmer's got his gun, He'll sit there in the leafy copse and mingle red with green, His nerves are of the toughest steel and all his wits are keen. He's woken by a distant sound all on an Autumn morn, His ears are cocked aloof as he hears yon huntsman's horn, He's thinking of his vixen and the cubs as she must mind, He'll have to draw yon pack away afore they make a find. So its up to break his cover and toward the fields so green, And out into the open where he knows he can be seen, He hears twelve couple speaking and the huntsman sound a view, And the weary feeling in his bones tells him his reign is through. Now when Charlie hunted rabbits and his partridge and his hares, He went out all on his own, he never went in pairs, He didn't need no horses nor no pack of wild hounds too, 'Cause of hunting, Mr. Huntsman, he knows twice as much as you. Now Charlie he was six year old afore he fell to hounds, And hundreds were the times he'd killed while on his farmyard rounds, But though his mask and brush have gone, in a trophy room to lay, Don't ever forget the fifty times that Charlie got away. 4 What Holds The World Together
Rosie wrote this song after reading a story of a village in India that suffered high rates of infanticide. Stuck in a dowry system, parents couldn’t afford to marry off their daughters so they would take them out and lay them in the woods the day they were born. The area was also subject to heavy deforestation, causing flooding and erosion. So one couple decided to plant trees as an investment for their newborn daughter, a choice that had a massive positive impact on the environment and community after the idea caught on. The song is followed by an uplifting tune called Sevens written by Philippe. I cannot sleep for wonder Though I have laboured hard all this livelong night And in the wildwood yonder I hear the forest wake and whisper with delight For born to me a daughter And born to them a friend And born with you what once would be comes to an end I’ll give you thorn, that through raging storm clings fast and steady And willow knows to break and grow when time is ready And oak, that you may see how the meek grow mighty And this will be your dowry And this will be your dowry... What holds the world together But roots grown deep beneath the changing whims of man? But what is now was never And natures grip it slips as soil shifts into sand And what richness there she tethered, It falls from fields and farms With the bones of all those daughters held there in her arms Now I need not have fear I did not carry you warm just to lay you in the cold A life ahead appears, With fingers laced like strong roots braced, our place to hold We’ve bound your life to bounty It’s growing as you grow So not to gods or men but to them your life you owe 5 The Carol Of The Flood
A new song which relates a positive story of mankind’s relationship with the natural world! For a long time, man carved up the Sheffield Lakeland with waterways and reservoirs, unwittingly creating lots of unique habitats for different species to flourish… The floodwaters are now carefully managed to conserve these habitats. Rowan was commissioned to write this song by Soundpost for a Landscape Partnership project. From heathered ridge To packhorse bridge The river springs her source Through brook and tarn Past old cruck barn She runs her crooked course As streamlets surge In chorus, merge The wilds of stone and mud Each beck and burn In whirlpools churn The carol of the flood The river flows from moor and peak In trickle, torrent, rill and creek Though man her route has wrought upon The fish and fowl her waters don Down sleeping hill Through forge and mill Her waters drive the wheel Of nature’s sloth And mankind’s growth A city made of steel This city’s tale Has left its trail In weir and dam’s release Each pass and dale Each oaky vale Holds reservoirs of peace When nightjars churr And barn owls stir Her water foams and froths Their screech to drown As they swoop down Where light plays Lutestring moths This rush of life With wildness rife Fed from the Fairthorn flow And rivelin trout Swim riffles out Into the pools below Where herons wheel And fill their creel O’er maze of clawing briar They read the scrawl Of drystone wall Cross meadow, moor and mire As creatures tread The paths we’ve shed And swim the routes we shun The managed flood Their riverblood Unwittingly has won 6 The Banks of the Bann
Like so many, we learned this version of this beautiful song from the Voice Squad, so we’d like to dedicate this recording to the memory of Phil Callery who passed away on 31st May 2022 as this album went to press. When first to this country as a stranger I came I placed my affection on a maid of fine name She being warm and tender, her waist small and slender Kind Nature had formed her for my overthrow On the banks of Bann, where I first beheld her She appeared like fair Juno or a Grecian queen Her eyes shone like diamonds, her hair softly twining Her cheeks were like roses, or like blood drops in snow It was her cruel parents that first caused our variance All because I was poor and of a low degree But I'll do my endeavour to earn my love's favour Although she is come of a rich family My name is Delaney, its a name that won't shame me And if I had saved money I'd have plenty in store But drinking and courting, night rambling and sporting Were the cause of my ruin and absence from home Had I all the money that's in the West Indies Or had I the gold of the African shore I would spend it on pearls, and on you my fair girl For there's no other love in this world I adore And since I have gained her I'm contented for life I'll put rings on her fingers and make her my wife We'll live on the banks of the lovely Bann river And in all sorts of splendour I will style her my dear. 7 Of All The Gods
A classic ‘gift from a poor musician’, Rosie wrote this as a Valentines present for Rowan. Of all the gods that man has conjured In his wonder and his fear And for their love torn asunder All the world for ten thousand years They cannot move me, for all their might Like my lover's arms that reach to find me in the night. Of all the treasures man has plundered In his arrogance and greed That from her depths the world surrendered, However unwillingly They cannot move me, for all their worth But one look from you and I move heaven and earth. With all the magic man imagines Fills the voids and lights the dark They cast themselves their false horizons Ruled by cards and joined up stars There's no spell upon me, no fated path I give myself knowingly and freely to your heart. I've jumped, not fallen Eyes wide open... All the words that man has wielded To his credit or his shame The words that both attacked and shielded Signed up or signed away They cannot move me or make a mark Like my lover breathing, keeping vigil through the dark. Of all the vices man falls prey to, It's pride that feeds wars constant rein Glory the name that vain men gave to What should make them weep with shame I won't let it rule me, pride I disown For you are as warm a lover as vanity is cold. 8 The Last Shanachie
The voice heard at the beginning of the track, is that of Rowan's great great grandfather, Pádraig Ó Gríofa. He was a storyteller who passed down hundreds of stories word for word in old Irish. We have a book of these stories that was transcribed from a wax cylinder recording. Unfortunately at the time, it was usual to scrape off the wax and re-use the cylinder. However, this tiny fragment of him speaking was retrieved by Richie Piggott from the archive at University College Dublin. Rowan wrote the song with him in mind and wove in some of the shanachie tradition. It is paired with The Snowboot Mazurka (also by Rowan) Once there was, yet once there was not In a beehive hut, on a mountain green A teller of tales both tall and short Who told of what is, and of what had been. The last shanachie in the land of memory Sang a song the mountains sing for you and me... When candle waxed high and fire waned low With crackled words of grit & glory Wearied by age and tied by time He held all history as his story. A stitch in time of the wild mountain sort The fabric of our lives he darns As he sits and sows the seeds of a thought Spinning wheels of words into fine old yarns. With bones bred from the mountain marrow A seam of stories mined of yore Rise once again from tomb and barrow Spoken, heard and smelted o'er. 9 Midnight Accountant / The Optimist
Philippe wrote the first tune about the traditional time all self employed people do their taxes, midnight on the 31st January! The next tune is a traditional Kerry polka we know as Pete Bradley's, and is followed by a lydian polka that Rowan wrote for an old man who went to get some new glasses! 10 T Stands For Thomas
From the same family as P Stands For Paddy, Rosie first heard this tune from Jane Conquer of her Morris side, Knockhundred Shuttles. She then sifted through several versions to collate her favourite verses. In no version does anyone get closer to spelling “William”! It’s paired with No Matter The Wreckage, a tune by Rowan. As I walked out one bright morning So early in the Spring I leaned my back on an old garden gate Just to hear two lovers sing To hear two lovers sing my boys And hear what they might say In case I'd learn just a little of love Before I go away T stands for Thomas I suppose J O N stands for John W E and M stands for my sweet William Because he is a clever young man. He said, "My love, come sit by me Where the grass is growing green For it's been three quarters of a long year Since together you and I have been seen" "Oh I'll not come and sit by you Or be a lover of thine For I hear you've been courting some other fair girl And your heart's no longer mine" "Oh I'll not believe what the old man says For his days be nigh well done And I'll not believe what the young man says For he's sweet on many's the one I'll not believe any man anymore Be his hair yellow, white or brown Unless he's high on the old gallows tree And he's swearing that he'd like to come down" Oh slowly passed the winter's night And slowly dawns the day It's many's the time I've wished you hear Now I wish you were away. 11 The Nightingale's Lullaby
Rowan wrote this tune as Waltz For Wilf shortly after becoming a father, and later wrote some words so that we could sing him to sleep - if only it worked! Hush thee my baby, dry you your eyes For the nightingale soon will take wing And he’ll lilt you a garland of sweet lullabies To the tune of an evening in Spring The dry notes of Summer will fade into brown As the air of the Autumn wind blows With the low strains of Winter he’ll whistle on down As the turning year shields your repose Hush now my dear one, shed not one tea r For the nightingale’s vespertine song, For he trumpets a fanfare so full of cheer That he’ll ease your mind all the night long. With trebles and turns, he steers through the skies While we of the daytime lie still And hither he flies singing sweet lullabies With a cut and a roll and a trill. So hush thee my darling, as dusk turns to dawn, And the nightingale’s cadence then wanes As light brushes treetops and curtains are drawn He hushes his joyous refrains. A quiet encore for it’s daybreak once more Brings a peace that your voice will soon know So hush thee my baby, and rest here afore For the worries will grow as you grow. 12 Emigrantvisa
A traditional Swedish song which Rowan wrote a poetic translation for. Tonight I must journey to a far-off land, One from whence I may never return. Farewell you fine fellows, may you understand That my heart will for you ever yearn. As the ship leaves the shore I will weep the more For the friends and the lovers I've left before, But it's you who are here who'll I'll hold most dear When I'm standing alone at the stern. When out 'cross the water rings a clear ahoy And a coastline appears at the prow, I'll think on this night and be filled with joy For the songs that I sing with you now. It'll always bring cheer these tunes to hear, It'll lighten my heart and will turn my ear When I hear them sung in a foreign tongue And I'm standing alone at the bow. |
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The Wilderness YetTo view the lyrics and liner notes, just click on a track title below:
1 The Beauties Of Autumn
A seasonal song that Rosie wrote at Halsway Manor Artists’ Retreat last year, inspired by the name of an Irish march by John Brady. Stags and bucks join the rut, to try their luck in sporting And all the day through vale and glade you’ll hear the victors roaring The murmurs moving through the flocks say, “Time we were away For winter’s dark steals summer's light, night bringing down the day." The sun sinks south, winter bound, she’s calling her birds to the wing And the swallows of summer slip away as the beauties of autumn roll in… The silken webs that thread the dew between the gorse and heather They shiver with the changing course and temper of the weather The squirrel stores her hips and haws to keep the cold at bay As winter’s dark steals summer’s light, night bringing down the day. On wooded down sits nature’s crown, the beech and maple flaming Whilst the apple and the sloe stoop low with branches heavy laden The blackbird in the bramble whistles merry as she may But winter’s dark steals summer's light, night bringing down the day. And what of those that brave the cold in den and dray and burrow They hunker down as frost abounds the fields now ploughed and furrowed Heed not the call that draws the swallow half the world away But let winter’s dark steal summer's light, night bringing down the day. 2 A Bruton Farmer
A beautifully formed murder balled in 5/4 that we first heard from James Patterson and couldn’t stop singing... take warning all cruel brothers - hell hath no fury! Now a famous farmer, as you shall hear, He had two sons and one daughter dear. Her servantman she much admired, None in the world she loved so dear. Said one brother to the other: “See how our sister means to wed. Let all such a courtship soon be ended: We'll hoist him unto some silent grave.” They called for him to go a-hunting. He went out without any fear or strife. And these two jewels they proved so cruel: They took away that young man's life. It was near the creek where there was no water, Nothing but bushes and briars grew. All for to hide their cruel slaughter Into the bushes his body threw. When they returned from the field of hunting, She began to enquire for her servantman: “Come, brothers, tell me, because you whisper: Come, brothers, tell me if you can.” “Sister, we are so much amazed, To see you look so much at we. We met him where we'd been a-hunting No more of him then did we see.” And she lay musing all on her pillow. She dreamed she saw her true love stand. By her bedside he stood lamenting, All covered with some bloody wounds. “Nancy, dear, don't you weep for me, Pray Nancy, dear, don't weep nor pine In that creek where there is no water Go and there you shall my body find.” So she rose early the very next morning With many a sigh and bitter groan. In that place where her true love told her It's there she found his body thrown. The blood all on his lips was drying, His tears were salter than any brine. And she's kissed him, loudly crying: “Here lies a bosom friend of mine.” Three days and nights she stayed lamenting Till her poor heart was filled with woe. Until sharp hunger came creeping on her: And homeward she was forced to go. Sister, we are so much amazed To see you look so pale and wan.” “Brothers, I know you know the reason, And for the same you shall be hung!” These two brothers both were taken, And bound all down in some prison strong. They both were tried, found out as guilty, And for the same they both were hung. 3 In A Fair Country
Rosie wrote this song while exploring the vast wealth of folklore surrounding our less renowned native trees. Once so familiar to the people of this country, their uses and stories have all but disappeared with our detachment from the natural world. The chorus is a traditional floating verse appearing in many songs in different guises – here adapted for a time when Britain is still being stripped of its woodlands. The yew in the churchyard she sighs and she groans Under the weight of old sins and old bones She’ll find no relief for she cannot die Only suck a life from the dead that in their graves lie The oak and the ash and the apple tree Would blossom and bloom in a fair country... We sigh for the summer as we summon the May Seeking the favour of fortune and fey But less now she blushes in hedges and groves Curse he that harms hawthorn as she blossoms and grows The willows that flank the river bank side Watch lives wax and wane with the pull of the tide From cradle to coffin they’ll weave and they’ll spin And the willows weep low for lost love and lost kin Alder, oh alder her feet in the water Flame in the forge and stone in the stream Though the blacksmith the dyer and the cobbler court her She shields in her shady carrs, her Robin the Green And over the land man strips barren and bare Where the spirits that linger are death and despair Sweeps the Lady of Birch with her silvren skin And all that was tainted will be pure again 4 Queen & Country
This is our arrangement of a song that Rowan originally wrote for his Songhive project to highlight the current crises facing our native bee population. I'm a worker by nature I freely admit And I spend all my days in the fields At a tiring old trade which may well be unpaid, But it brings all the farmers their yields. When the sun has dropped down I will take to my bed In the cell that my own toil has made To arise again early and tend to the gardens Of folks who are in their beds laid... Oh for Queen and Country, Though the latter is no thought of mine, I work for all and sundry, I'm a labourer come rain or shine. Gone are the days when on jelly I dined A bumbling old fool I've become, And I hum as I go the old chants that I know From our glory days spent in the sun. Well the people are swarming for honey & milk And that land that was promised of old, But they don't understand that the crops are unmanned And the colonies now all stand cold. Where there once was a gate to palace of gold Flanked by guards in their striped livery You'll find corpses piled high 'cause the honey's run dry To pay those from the mortuary... 5 Chalice Well / The Welcombe Hills
While staying at the Chalice Well in Glastonbury, at a meditation retreat where no electronics were allowed, Philippe finally had to put his phone away and write a new tune. Hopefully you can hear the sense of calm in the melody! Rowan wrote the second tune for his friend Felix, who has the good fortune to come from the Welcombe Hills near Stratford-upon-Avon. 6 Woman Of The Woods
A song about a woman compelled to help others despite her own hardship and in spite of being ostracised by the very people who come calling for her aid. Many a time I've been woken to find A frantic man upon my door knocking, He begs me to hurry and tend to his wife, For the child won't be too long in coming. Weary I follow him up to the farm, And there I find his young wife is labouring, I pray to the Lord for one easy birth – For the child in it's mothers arms laying... There's many who'd shun a woman like me, Though many I have had hand in helping, When times are hardest or hope nearly lost, It's into the the woods they come calling. Many a time I've returned home to find, A young girl on my doorstep crying, Her face it is drawn and her belly is tight, For a child won't be too long in coming. Some girls I've had they've been barely fifteen, Their bodies still too slight to carry, The lads take their pleasure and next day move on, Take with them their promise to marry.... There's many who'd shun a woman like me, Though many I have had hand in helping, When times are hardest or hope nearly lost, It's into the the woods they come calling. These days I'm often called into the town, To tend to the needs of the dying, When they cross over it's me lays them out, And pray I have eased their passing... There's many who'd shun a woman like me, Though many I have had hand in helping, When times are hardest or hope nearly lost, It's into the the woods you come calling. 7 Song Of The Whale
We paired this beautiful anti-whaling song by the great Eric Bogle, with an old Irish air. Two hundred years ago, fishermen on the Blasket Islands heard a lamenting that they decided was Port na bPúcaí – The Music of the Fairies. We now know that they were hearing the song of the humpback whales reverberating through the hulls of their wooden & canvas boats. There were two families on Inisvicillane at the time who had the melody; the Guiheens and the Ó Dálaighs. Rowan's family in Dingle is entwined with the last Guiheens to leave the island in 1953... and so we have the story on good authority! The saddest sound I've ever heard Is the song of the hump-backed whale His moans and sighs and his eerie cries Sing a sad familiar tale For he sighs and blows as if he knows His race is nearly run And soon with all of his kind he'll fall Beneath the whaler's gun For every living thing on earth Nature found a space Each a living strand of a fragile plan That can never be replaced And not from need, but from wanton greed Man has torn down nature's web With greed possessed he will not rest Till the last of the whales is dead In my mind's eye I can see them die As the whaler finds his mark Hear the muffled boom of the cruel harpoon As it blasts their lives apart I see the flood of their rich dark blood As it stains the ocean red And that bloody green will not wash clean Till the last of the whales is dead 8 Hjältedyrkan
A polska written by Rowan as a birthday present for Ben Paley, who inspired his love of Scandi music when he taught him his first Swedish tune all those years ago! 9 The Thrush's Anvil
Our ode to the Thrush – a bird with so much folklore and very few folksongs! Rowan wrote this for his grandma who worked for the RSPB her whole life and loved thrushes. Our master has a-courting gone Our mistress up above And she has asked him for a gift As a token of his love. He’s ventured forth across the land, Spreading seeds of his own demise, Through wind and rain his voice will strain, As he seeks a worthy prize. Singing high, low, The tune that we know To the hammer of shell on stone, Come, come The search has begun The Thrush’s anvil rings alone. He’s found a church up on the Downs Of Sussex diamond built, He’s asked the father for a sign But he’s given naught but guilt. By that church was an old yew tree, With rubies it was blessed, He’s taken one for his own true love, To treasure in her nest. He’s flown through seven countries And to their monarchs sung To beg exotic presents He’s studied every tongue, But nothing for our mistress Save a berry black as coal He’s taken from the elders As an incidental toll. He’s met her at the trysting tree Among the woodland glades He’s found his miss a mistletoe kiss Just as the daylight fades, This trinity of gems he’s brought Of black and white and red Lie gleaming in the moonlight All upon Miss Thrush’s bed. The stormcock’s call beckons one and all To the shelter of safer boughs For the tempest’s nigh, the water's high, And dark are the evening clouds... 10 Of Men Who'll Never Know
We took this melody from a haunting Swedish love song, Ack högaste himmel, and Rowan supplied some equally haunting lyrics about the end days... The sharp prongs of winter Bleed blunt hours of light As short summer days Give way to long nights And creatures of bush and briar Leave feetings in fresh snow On highways and byways Of men who'll never know... We worked and we wept For the pains of our kind As grief grew unchecked In our hearts and our minds Now gone are the gods And all their creatures great and small They stand hand in hand At the ruin of all... The last of us waiting A question on her breath Knows well that an answer Will always bring a death With sap in her veins Her tongue collecting rust Sing "Ashes to ashes" Sing "Dust to dust..." 11 Pete's Jig / Poor Hildegard / Joan Brodie's
Philippe wrote the first tune for Sussex based fiddler Pete Lyons - the man responsible for indoctrinating him fully in folk music. Rowan took the air of the second tune from the notes of O frondens virga by Hildegard von Bingen and shoe-horned it into jig form. Joan Brodie's was written by Philippe for his Scottish, accordion playing granny. 12 The Wilderness Yet
This started out life as a poem by Gerard Manley Hopkins called Inversnaid. Rowan set it to music and added three stanzas to build on the message of that iconic last verse which we sing here as a chorus. This darksome burn, horseback brown, His rollrock highroad roaring down, In coop and in comb the fleece of his foam Flutes and low to the lake falls home. A windpuff-bonnet of fáwn-fróth Turns and twindles over the broth Of a pool so pitchblack, féll-frówning, It rounds and rounds Despair to drowning. Chorus: What would the world be, once bereft Of wet and of wildness? Let them be left, O let them be left, wildness and wet; Long live the weeds and the wilderness yet. Degged with dew, dappled with dew Are the groins of the braes that the brook treads through, Wiry heathpacks, flitches of fern, And the beadbonny ash that sits over the burn. Where hares hold council and dread-drakes sport The cope-carlied trout to the turf resort And boglarks flout their fine fanfare Corkscrewing song through the high sky air. Hear the bleating heather-blades And bitterns as the daylight fades A symphony of sound and then The silence from the world of men. When all is seared and smeared with toil Man’s smudge and smell ploughed through the soil He’ll plod his shod unfeeling feet Onwards ‘cross the cold concrete. |
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Turn The Year RoundTo view the lyrics and liner notes, just click on a track title below:
1 We Wish You A Merry Christmas
A traditional English carol from the West Country, holding true to the great Yuletide tradition of scrounging what you can from your neighbours! Our harmonies for this one are loosely based on the famous arrangement by Arthur Warrell. We wish you a merry Christmas We wish you a merry Christmas We wish you a merry Christmas and a happy new year Good tidings we bring to you and your kin We wish you a merry Christmas and a happy new year Now bring us some figgy pudding Now bring us some figgy pudding Now bring us some figgy pudding And bring some out here Good tidings we bring to you and your kin We wish you a merry Christmas and a happy new year For we all like our figgy pudding For we all like our figgy pudding For we all like our figgy pudding So bring some out here Good tidings we bring to you and your kin We wish you a merry Christmas and a happy new year We won't go until we've got some We won't go until we've got some We won't go until we've got some So bring some out here Good tidings we bring to you and your kin We wish you a merry Christmas and a happy new year 2 A Jolly Wassail / The Banks Of The Quay
A wassail from the South West of England paired with a polka often played at the Dingle Wren. It is the first of the Wren polkas from De Dannan's 1977 recording "Selected Jigs & Reels" put together by Rowan's dad, Charlie. Wassail, and wassail, all over the town Our cup, it is white, and our ale, it is brown Our cup, it is made of the good ashen tree And so is the malt of the best barley: For it's your wassail, and it's our wassail And it's joy be to you, and a jolly wassail. O master and missus, are you all within? Pray open the door and let us come in O master and missus, a-sitting by the fire Pray think upon poor travelers, a-traveling in the mire: For it's your wassail, and it's our wassail And it's joy be to you, and a jolly wassail. O where is the maid with the silver-headed pin To open the door and let us come in O master and missus, it is our desire A good loaf, some cheese, and a toast by the fire: For it's your wassail, and it's our wassail And it's joy be to you, and a jolly wassail. 3 Winterbound
Written by Rowan for the album, this new carol weaves together all those telltale signs that we're in for a hard winter – when the frost comes before the acorns fall, when the geese migrate early, and that famous old saying about the hornets' nest... When summer’s memory is weak When days are short and nights are bleak It’s then our harmony we’ll hold Against the ever-creeping cold When the thatch with snow is crowned, Bar the hatch, we’re winterbound. When all the harvest’s gathered in The squirrels must their work begin If acorns coat the frosted ground For harsher weather we are bound. When fog rolls in on autumn tides And on its coat-tails winter rides The geese leave early, dawn comes late But we must up and tend the grate. When the bees are all a-bed We’ll ditch the cart; unearth the sled And see how high’s the hornet’s nest ‘Twill tell how high the snow will rest. If fortune keeps us through the dark To see the sap rise through the bark New harmonies succeed the old To speed the fast-receding cold. 4 Frost Is All Over / Christmas In November / The Cracker
The first of these jigs is a session favourite all over Ireland. The second was written by Philippe after putting his Christmas Tree up a tad early. The third was written by Rowan and fits nicely over "I Saw Three Ships" . 5 Old Jacky Frost
A wonderful folk carol by Barrie Temple. Rosie learned this at her childhood morris side, Knockhundred Shuttles, from the singing of the aptly named Kevin Frost (Portsmouth Shantymen). Old Jacky Frost is knockin' at the door Don't let him in, no way sir Old Jacky Frost, been here before Don't let him in, no way sir Whether you're rich or whether you're poor He'll come knockin' all around your door Give him a chance, he'll be in for sure Don't let him in, no way sir Summer's lost and the winter's come Don't let him in, no way sir Days are short and the nights are long Don't let him in, no way sir Hear him knocking, don't complain See his star on the window pane Comes the winter, comes a man Don't let him in, no way sir See the sheep in the winter snow Don't let him in, no way sir All forlorn, nowhere to go Don't let him in, no way sir Coats so thick, the sun don't shine Oh how I wish that coat were mine To glad the heart so warm and fine Don't let him in, no way sir See his breath freeze in the air Don't let him in, no way sir Older, colder everywhere Don't let him in, no way sir Head bowed down, he'll make you pray For the warmth and pleasure of a summer's day Old Jacky Frost, he'll be far away Don't let him in, no way sir Spring will come and rise again Don't let him in, no way sir Jack in the Green will bring his friends Don't let him in, no way sir Fight the fight, defy the foe Old Jacky Frost, he will have to go He'll be back sooner than you know Don't let him in, no way sir 6 Drive The Cold Winter Away
An Elizabethan Christmas carol, this first appeared as a broadside in c. 1625. It is sung to the tune When Phoebus did rest, under which it is printed in Playford’s The English Dancing Master. All hail to the days that merit more praise Than all the rest of the year And welcome the nights that double delights As well for the poor as the peer Good fortune attend each merry man's friend That doth but the best that he may Forgetting old wrongs with carols and songs To drive the cold winter away This time of the year is spent in good cheer And neighbours together do meet To sit by the fire, with friendly desire Each other in love to greet Old grudges forgot are put in the pot All sorrows aside they lay The old and the young doth carol this song To drive the cold winter away To mask and to mum kind neighbours will come With wassails of nut-brown ale, To drink and carouse to all in the house, As merry as bucks in the dale; Where cake, bread and cheese is brought for your fees, To make you the longer stay; At the fire to warm will do you no harm, To drive the cold winter away. When Christmastide comes in like a bride With holly and ivy clad Twelve days in the year much mirth and good cheer In every household is had The country guise is then to devise Some gambols of Christmas play Whereat the young men do the best that they can To drive the cold winter away When white-bearded frost hath threatened his worst, And fallen from branch and brier, Then time away calls, from husbandry halls And from the good countryman's fire, Together to go to plough and to sow, To get us both food and array; And thus with content the time we have spent To drive the cold winter away. 7 Deck The Halls
We made it slightly more fun to tap your foot to and watch out – there's one less "LA" in the chorus! Deck the halls with boughs of holly, Fa la la la, la la la la. Tis the season to be jolly, Fa la la la, la la la la. Don we now our gay apparel, Fa la la la, la la la la. Troll the ancient Yuletide carol, Fa la la la, la la la la. See the blazing Yule before us, Fa la la la, la la la la. Strike the harp and join the chorus. Fa la la la, la la la la. Follow me in merry measure, Fa la la la, la la la la. While I tell of Yuletide treasure, Fa la la la, la la la la. Fast away the old year passes, Fa la la la, la la la la. Hail the new year, lads and lasses, Fa la la la, la la la la. Sing we joyous, all together, Fa la la la, la la la la. Heedless of the wind and weather, Fa la la la, la la la la! 8 Winter Song
A traditional Swedish psalm tune with English words by our wonderful friend, Anna Tabbush. When all life has left the ground When ice like diamond sparkles around When Jack Frost creeps under your skin Cold winds blow out the fire within When the swallow takes her flight When the day is filled with night Light a flame to guide you through Spring will surely come to you Darkness fills the icy gloom Still and silent as a tomb When the heart is heavy with woe Fill this room with an earthly glow Strike a flame and touch a hand For that is the gift of man Light the love to guide you through Spring will surely come to you 9 The Holly And The Ivy
Oh the holly and the ivy When they are both full grown Of all the trees that grow in the wood The holly bears the crown Oh the rising of the sun And the running of the deer The playing of the merry organ Sweet singing all in the choir The holly bears a blossom As white as lays the snow And deep beneath the spring she sleeps While icy winds do blow The holly bears a berry As red as any blood The heart of the merry green wood Beats through the frost and flood The holly bears a prickle As sharp as any thorn The frost that holds the fields and folds Is vanquished by the dawn The holly bears a bark As bitter as any gall Burn fear and blame with fire and flame As new year comes to call Oh the holly and the ivy When they are both full grown Of all the trees that grow in the wood The holly bears the crown Oh the rising of the sun And the running of the deer The playing of the merry organ Sweet singing all in the choir! 10 The Holly Bush / Christmas Eve
Two great Irish reels, the first by Finbarr Dwyer and the second by Tommy Coen. 11 Corpus Christi Carol
A Middle English carol first written down by an apprentice grocer named Richard Hill around 1504, we also sing a version called Down In Yon Forest learned from the Voice Squad. Rowan's arrangement here however, is based on the descending guitar lines of Jeff Buckley. He bore him up, he bore him down, He bore him into an orchard brown. Lully, lullay, lully, lullay! The falcon has borne my mate away. In that orchard there was a hall That was hanged with purple and pall; Lully, lullay, lully, lullay! The falcon has borne my mate away. And in that hall there was a bed: It was hanged with gold so red; Lully, lullay, lully, lullay! The falcon has borne my mate away. And in that bed there lies a knight, His wounds bleeding day and night; Lully, lullay, lully, lullay! The falcon has borne my mate away. By that bedside there kneeleth a maid, And she weeps both night and day; Lully, lullay, lully, lullay! The falcon has borne my mate away. And by that bedside standeth a stone, "Corpus Christi" written thereon. Lully, lullay, lully, lullay! The falcon has borne my mate away. 12 In Dulce Jubilo
A couple of our favourite well-known carol tunes that work well as jigs! We all hail from Sussex in one way or another, so it was important to get this one in! 13 CUTTY Wren
“O where are you going?” said Milder to Maulder “O we may not tell you,” said Festle to Foes “We're off to the woods,” said John the Red Nose “What will you do there?” said Milder to Maulder “O we may not tell you,” said Festle to Foes “We'll hunt the Cutty Wren,” said John the Red Nose “How will you hunt her?” said Milder to Maulder “O we may not tell you,” said Festle to Foes “With bows and with arrows,” said John the Red Nose “That will not do then,” said Milder to Maulder “O what will do then?” said Festle to Foes “Great guns and great cannons,” said John the Red Nose “How will you fetch her?” said Milder to Maulder “O we may not tell you,” said Festle to Foes “On four strong men's shoulders,” said John the Red Nose “That will not do then,” said Milder to Maulder “O what will do then?” said Festle to Foes “Great carts and great waggons,” said John the Red Nose “How will you cut her up?” said Milder to Maulder “O we may not tell you,” said Festle to Foes “With knives and with forks,” said John the Red Nose “That will not do then,” said Milder to Maulder “O what will do then?” said Festle to Foes “With hatchets and cleavers,” said John the Red Nose “How will you boil her?” said Milder to Maulder “We may not tell you,” said Festle to Foes “In pots and in kettles,” said John the Red Nose “That will not do then,” said Milder to Maulder “O what will do then?” said Festle to Foes “A bloody great big cauldron,” said John the Red Nose “Who'll get the spare ribs?” said Milder to Maulder “We may not tell you,” said Festle to Foes “We'll give them all to the poor,” said John the Red Nose 14 The Wren / Crucaharan Cross
One of our favourite yuletide songs, we've paired it here with Crucaharan Cross – another polka from the Dingle Wren celebrations and the second on that De Danann recording! 15 Turn The Year Round
Rosie's contribution to the folk carol canon. "In comes I!" the wren, the thrush and the robin – all making an appearance like characters in a mummers' play, with their messages for midwinter. Turn the year round, turn the year round, The old king is dead, a new king is crowned In ivy, in holly, in mistletoe berry and bough, The jewels of the greenwood through cruel winter abound, To turn the year, turn the year round! In comes I a flash and a glance, For if I must die I shall lead them a dance, When be you so merry men, As when you're hunting the wren to... In comes I to brighten the dark, The thrush calling nigh from your sorrows depart What cannot be weathered When we sing together and start to... In comes I a song bright and bold, With red breasted coat for to keep out the cold Leave of your grieving The robin's receiving old souls to... |
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